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dc.contributor.authorWoods, Jeannine
dc.date.accessioned2017-11-24T15:00:02Z
dc.date.issued2014
dc.identifier.citationWoods, Jeannine. (2014). Trans-formations of gendered identities in Ireland. In Conn Holohan & Tony Tracy (Eds.), Masculinity and Irish Popular Culture: PalgraveMacmillan.en_IE
dc.identifier.isbn978-1-137-30024-9
dc.identifier.urihttp://hdl.handle.net/10379/6984
dc.description.abstractSince the early 1990s, non-heteronormative masculinities have gained a certain degree of acceptance in Irish society. The years preceding and following the decriminalistaion of homosexuality in 1993 saw an increase in the representation of homosexual identities in Ireland and a concomitant questioning of dominant definitions of Irish masculinity. Representations of trans identities and characters constitute a significant part of those questionings, trans identities prompting and facilitating a rethinking of fixed categories both of gender and of national identity, given the gendering of national(ist) discourse and its historical relationship to Catholic teaching on sexuality and sexual identity in Ireland. Representations of trans figures in an Irish context feature most notably in Neil Jordan s 1993 film The Crying Game and in Pat McCabe s 1998 novel Breakfast on Pluto and in its later cinematic adaptation by Jordan. Both of these works, which have received a good deal of critical attention, are explored here vis-à-vis their critical explorations of gender and sexual ambiguities in the context of Irish identity. The work of Jordan and McCabe aside, representations and performances of trans identities and characters in Ireland have been primarily located within theatrical and cabaret drag performances produced within the gay community. While there can be distinctions between the articulation of trans identities and the practice of drag, both have the potential to disrupt and destabilise fixed gender dichotomies and to raise questions regarding heteronormative hierarchies of identity. This essaym examines the practice of drag, particularly within the Alternative Miss Ireland Contest, as both performative and political strategy, examining whether the performance of drag in can be seen to critically intervene in discourses on gender, sexuality and national identity.en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.publisherPalgraveen_IE
dc.relation.ispartofTiger Tales: Irish Masculinity and Culture 1990-2010en
dc.subjectMasculinityen_IE
dc.subjectPopular cultureen_IE
dc.subjectIrish popular cultureen_IE
dc.subjectGendered identitiesen_IE
dc.subjectIrelanden_IE
dc.titleTrans-formations of gendered identities in Irelanden_IE
dc.typeBook chapteren_IE
dc.date.updated2017-11-22T11:56:41Z
dc.local.publishedsourcehttp://www.palgrave.com/us/book/9781137300232en_IE
dc.local.publisherstatementWoods, Jeannine. (2014). Trans-formations of gendered identities in Ireland. In Conn Holohan & Tony Tracy (Eds.), Masculinity and Irish Popular Culture: PalgraveMacmillan. reproduced with permission of Palgrave Macmillanen_IE
dc.description.peer-reviewedPeer reviewed
dc.description.embargo2017-12-31
dc.internal.rssid3117885
dc.local.contactJeannine Woods, Aras Na Gaeilge, Oé, Gaillimh. 3960 Email: jeannine.woods@nuigalway.ie
dc.local.copyrightcheckedYes
dc.local.versionACCEPTED
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