Now showing items 1-20 of 29

    • Alexander Kluge: Utopian Cinema 

      Stoneman, Rod (Rodopi, 2007-10-01)
      Alexander Kluge's films, television programmes and his other diverse activities contribute to a developed understanding of contemporary politics and culture. He took a version of creative critical theory into spheres of ...
    • "Ar son an Naisiuin": The National Film Institute of Ireland's All-Ireland Films 

      Crosson, Seán (Irish-American Cultural Institute, 2013)
      On 4 September 1948 the Irish Independent newspaper carried a small announcement on page ten indicating that the Gaelic Athletic Association (GAA) had authorized the filming of the All-Ireland hurling and football finals ...
    • Chance and Change 

      Stoneman, Rod (2010)
    • Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964) 

      Crosson, Seán (Taylor & Francis, 2016-07-12)
      The sports coaching film has a long history, dating from at least 1932 with the production of Paulette McDonagh s How I Play Cricket which featured the legendary Don Bradman. However, coaching films dedicated to indigenous ...
    • 'Croke Park goes Plumb Crazy' Gaelic Games in Pathé Newsreels, 1920–1939 

      Crosson, Seán; McAnallen, Dónal (Taylor and Francis, 2011)
      From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the ...
    • Defining the heathen Irish and the pagan African: two similar discourses a century apart 

      Bateman, Fiona (2008)
      This article looks at two different missionary projects separated by space and time: British Protestant missions to Ireland in the mid-nineteenth century; and Irish Roman Catholic missions to Africa in the 1920 and 1930s. ...
    • Don’t Look: Representations of Horror in the Twenty-First-Century Symposium, University of Edinburgh, 28 April 2018 

      Casey, Máiréad (Intellect, 2018-10-01)
      Review of Don't Look: Representations of Horror in the Twenty-First-Century Symposium, University of Edinburgh, 28 April 2018
    • Fairytale and Gothic Horror: Uncanny Transformations in Film, Laura Hubner (2018) 

      Casey, Máiréad (Intellect, 2020-04-01)
      Review of: Fairytale and Gothic Horror: Uncanny Transformations in Film, Laura Hubner (2018), London: Palgrave Macmillan, 206 pp.,
    • Folk horror in the twenty-first century 

      Casey, Máiréad (Irish Gothic Journal, School of English, Trinity College Dublin, 2020)
      Casey highlights the Folk Horror in the Twenty-First Century conference at Falmouth University. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of ...
    • “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

      Crosson, Seán (2012)
      Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
    • From Babe Ruth to Michael Jordan: Affirming the American Dream via the Sports/Film Star 

      Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2014)
      In the United States, sport stars have provided crucial affirmation of the American Dream ideology despite the considerable evidence that questions the validity and appropriateness of this belief for understandings of ...
    • From Kings to Cáca Mílis: Irish film and television as Gaeilge in 2007 

      Crosson, Seán (2007)
      A review of recent trends in Irish language television and film, including a consideration of the films Cré na Cille (Graveyard Clay) (2007), Kings (2007) and the TV series "Paddywhackery" (2007) and "The Running Mate" (2007).
    • Girl chewing gum: the time that cinema forgot 

      Stoneman, Rod (Intellect / Ingenta Connect, 2012-02)
      John Smith's Girl Chewing Gum was made in Hackney, East London and shown at the London Film-Makers' Co-op in 1976. Through its wit and imagination this film extended the forms of British avant-garde experimentation that ...
    • Global Interchange: The Same but Different 

      Stoneman, Rod (Palgrave Macmillan, 2013-08)
      Praxis is a productive basis for international interchange the diversity and pluralism of critical practice offers an implicit challenge to dominant models. The replication of versions of academic tunnel vision is too ...
    • Horror, hurling, and Bertie: aspects of contemporary Irish horror cinema 

      Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2012)
      In Ireland, generic international cinematic forms have provided an important means through which filmmakers have attempted to tell Irish stories while engaging international audiences. However, in general Irish filmmakers ...
    • Impossible totalities: Political performance as palimpsest 

      Putnam, El (Intellect, 2020-09-12)
      [No abstract available]
    • Irish short films: essential indigenous productions 

      Crosson, Seán (ROPES: Review Of Postgraduate Studies, 1995)
      Since the emergence of an Irish cinema of national questioning in the mid-1970s, short films have played an important role in Irish film culture. Not only did they offer Irish filmmakers an opportunity to learn their trade ...
    • Performance and music in the poetry of Ciaran Carson 

      Crosson, Seán (Nordic Irish Studies, 2004)
      Ciaran Carson has established a reputation as one of Ireland's most important poetic voices. However, Carson is also an accomplished musician whose work reflects the liminal borderland that has always existed between Irish ...
    • Reimagining an Irish City: I am Belfast 

      Crosson, Seán (Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)
      An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...
    • Review of "Hunger" 

      Crosson, Seán (2008)
      Review of Steve McQueen's 2008 British-Irish historical drama film Hunger, starring Michael Fassbender (as Republican leader Bobby Sands), Liam Cunningham, and Liam McMahon. The film is concerned with the 1981 Irish hunger strike.