Now showing items 8-27 of 29

    • Fairytale and Gothic Horror: Uncanny Transformations in Film, Laura Hubner (2018) 

      Casey, Máiréad (Intellect, 2020-04-01)
      Review of: Fairytale and Gothic Horror: Uncanny Transformations in Film, Laura Hubner (2018), London: Palgrave Macmillan, 206 pp.,
    • Folk horror in the twenty-first century 

      Casey, Máiréad (Irish Gothic Journal, School of English, Trinity College Dublin, 2020)
      Casey highlights the Folk Horror in the Twenty-First Century conference at Falmouth University. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of ...
    • “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

      Crosson, Seán (2012)
      Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
    • From Babe Ruth to Michael Jordan: Affirming the American Dream via the Sports/Film Star 

      Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2014)
      In the United States, sport stars have provided crucial affirmation of the American Dream ideology despite the considerable evidence that questions the validity and appropriateness of this belief for understandings of ...
    • From Kings to Cáca Mílis: Irish film and television as Gaeilge in 2007 

      Crosson, Seán (2007)
      A review of recent trends in Irish language television and film, including a consideration of the films Cré na Cille (Graveyard Clay) (2007), Kings (2007) and the TV series "Paddywhackery" (2007) and "The Running Mate" (2007).
    • Girl chewing gum: the time that cinema forgot 

      Stoneman, Rod (Intellect / Ingenta Connect, 2012-02)
      John Smith's Girl Chewing Gum was made in Hackney, East London and shown at the London Film-Makers' Co-op in 1976. Through its wit and imagination this film extended the forms of British avant-garde experimentation that ...
    • Global Interchange: The Same but Different 

      Stoneman, Rod (Palgrave Macmillan, 2013-08)
      Praxis is a productive basis for international interchange the diversity and pluralism of critical practice offers an implicit challenge to dominant models. The replication of versions of academic tunnel vision is too ...
    • Horror, hurling, and Bertie: aspects of contemporary Irish horror cinema 

      Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2012)
      In Ireland, generic international cinematic forms have provided an important means through which filmmakers have attempted to tell Irish stories while engaging international audiences. However, in general Irish filmmakers ...
    • Impossible totalities: Political performance as palimpsest 

      Putnam, El (Intellect, 2020-09-12)
      [No abstract available]
    • Irish short films: essential indigenous productions 

      Crosson, Seán (ROPES: Review Of Postgraduate Studies, 1995)
      Since the emergence of an Irish cinema of national questioning in the mid-1970s, short films have played an important role in Irish film culture. Not only did they offer Irish filmmakers an opportunity to learn their trade ...
    • Performance and music in the poetry of Ciaran Carson 

      Crosson, Seán (Nordic Irish Studies, 2004)
      Ciaran Carson has established a reputation as one of Ireland's most important poetic voices. However, Carson is also an accomplished musician whose work reflects the liminal borderland that has always existed between Irish ...
    • Reimagining an Irish City: I am Belfast 

      Crosson, Seán (Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)
      An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...
    • Review of "Hunger" 

      Crosson, Seán (2008)
      Review of Steve McQueen's 2008 British-Irish historical drama film Hunger, starring Michael Fassbender (as Republican leader Bobby Sands), Liam Cunningham, and Liam McMahon. The film is concerned with the 1981 Irish hunger strike.
    • Review of "Pavee Lackeen" (2005) 

      Crosson, Seán (2006)
      Review of an innovative film, shot on mini-DV in a pseudo documentary style, featuring an Irish Traveller family.
    • Review of "Six Shooter" 

      Crosson, Seán (2006)
      Review of one of the most provocative Irish short films in recent years, a work that manages not just to reference acclaimed playwright and director Martin McDonagh’s major influences but also provides a commentary on ...
    • Speaking Directly 

      Stoneman, Rod (2010)
    • Sport and the media in Ireland: an introduction 

      Crosson, Seán; Dine, Philip (Taylor and Francis, 2011)
      [Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through ...
    • Sport, representation, and the commemoration of the 1916 Rising: a new Ireland rises? 

      Crosson, Seán (European Federation of Associations and Centres of Irish Studies (EFACIS), the Research Institute of Irish and Scottish Studies (RIISS) in Aberdeen, and the University of Leuven, 2018-10-24)
      Commemoration is part of what defines nations and their configurations; the considerable investment of the Irish state (and various sporting organisations) during 2016 in 1916 commemorations speaks to the importance of ...
    • The Theory of Film Practice: Thirty Years Later 

      Stoneman, Rod (Cambridge Scholars Publishing, 2013)
      Jean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it was an intimate voyage that is permeable to the world s upheavals; it is from the tension between these two poles: autobiographical ...
    • 'They can't wipe us out, they can't lick us. We'll go on forever pa, because we're the people' - Misrepresenting death in Jim Sheridan's In America (2003) 

      Crosson, Seán (2008)
      This paper will examine the recurring theme of death in Jim Sheridan's work, with particular focus on his 2003 film In America. This theme also links Sheridan's work to one of his favourite directors, John Ford, whose ...