Browsing School of English and Creative Arts by Title
Now showing items 81-100 of 329
-
Gendered experiences of the Irish music industry report
(University of Galway, 2023-02-24)This national study on gender and music in Ireland, this project explores how gender might impact a career as a musician within the contemporary music industry. This report relates the experiences of musicians using ... -
The Gigli Concert by Tom Murphy, Druid Theatre
(Irish Theatre Magazine, 2009-09)One of the clichés of Irish theatre historiography is that drama in this country is excessively verbal – that our dramatists write for the voice, but not for the body. But if you actually go to the theatre here, it soon ... -
Girl chewing gum: the time that cinema forgot
(Intellect / Ingenta Connect, 2012-02)John Smith's Girl Chewing Gum was made in Hackney, East London and shown at the London Film-Makers' Co-op in 1976. Through its wit and imagination this film extended the forms of British avant-garde experimentation that ... -
A Girl of Many Words
(The Irish Times, 2003-11-08) -
The Given Note traditional music, crisis and the poetry of Seamus Heaney
(Palgrave, 2011)This paper proposes that at a time when Northern Ireland increasingly descended into civil strife and crisis, Seamus Heaney looked to landscape, and to a lesser but comparable, extent traditional music, to articulate a ... -
"The Given Note": traditional music and modern Irish poetry
(Cambridge Scholars Publishing, 2008)"The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. ... -
Global Interchange: The Same but Different
(Palgrave Macmillan, 2013-08)Praxis is a productive basis for international interchange the diversity and pluralism of critical practice offers an implicit challenge to dominant models. The replication of versions of academic tunnel vision is too ... -
Globalisation and national theatre: two Abbey Theatre productions of Sean o'Casey's The Plough and the Stars
(Cambridge Scholars Press, Newcastle, 2007)[No abstract available] -
Going for a Spin in a Cadillac
(The Irish Times, 2001-05-02) -
The Gothic in David Lynch: phantasmagoria and abjection
(2010)David Lynch has long been identified with 'New American Gothic', a late capitalist cinematography that disrupts the glossy normalcy of the American dream with visions of violent menace, and physical and sexual aberrancy. ... -
Gower’s slothful Aeneas in Batman’s Christall Glasse of Christian Reformation
(Oxford University Press, 2014-08-01)ALTHOUGH early modern medievalisms have been the subject of considerable interest in recent scholarship, much work remains to be done on the literary reception and influence of John Gower’s only major vernacular work, ... -
‘Great Joys Were My Share Always’: Ibsenite echoes in Synge’s Deirdre of the Sorrows
(International Association for the Study of Irish Literatures (IASIL) Japan, 2017)[No abstract available] -
Half-hearted: Irish Theatre, 2003
(Center for Irish Studies, University of St. Thomas, 2004)Irish theater experienced an unusuaily quiet period in 2003. Although the year was free of the controversies that have overshadowed recent years, it was also too frequently free of excitement, creativity, and originality. ... -
Hiding Behind th Exotic
(The Irish Times, 2007-10-27) -
High-flying Through History
(The Irish Times, 2004-07-03) -
His Heart is There
(The Irish Times, 2005-03-26) -
Historical duty, palimpsestic time, and migration in the Decade of Centenaries
(Taylor & Francis, 2015-11-23)This article analyses Sonya Kelly’s How to Keep an Alien (Dublin Tiger Fringe, 2014) and ANU Production’s Vardo (Dublin Theatre Festival, 2014) in relationship to the performative backdrop of the Irish Decade of Centenaries ... -
Home is where the heart is - and the drama too
(The Irish Times, 2015-01-03)[No abstract available] -
Horror, hurling, and Bertie: aspects of contemporary Irish horror cinema
(University of Waterloo, Department of Fine Arts (Film Studies), 2012)In Ireland, generic international cinematic forms have provided an important means through which filmmakers have attempted to tell Irish stories while engaging international audiences. However, in general Irish filmmakers ... -
HURL by Charlie O’Neill, Barrabas Theatre Company, Black Box Theatre, Galway
(2003)Minutes into Hurl, Charlie O’Neil’s play about a multi-ethnic hurling team, a ripple of discomfort sweeps through the audience. On stage, a man and woman have entered the house of an alcoholic ex-priest; understandably, ...