Now showing items 61-80 of 329

    • Eververse data 

      Tonra, Justin (Zenodo, 2020-11-24)
      Eververse was a yearlong project (2019-20) which synthesised perspectives from the humanities and sciences to develop critical and creative explorations of poetry and poetic identity in the digital age. Deploying tools and ...
    • Exile, pistols, and promised lands: Ibsen and Israeli modernist writers 

      Ruppo, Irina (MDPI, 2019-09-17)
      Allusions to Henrik Ibsen's plays in the works of two prominent Israeli modernist writers, Amos Oz s autobiographical A Tale of Love and Darkness (2004) and David Grossman s The Zigzag Kid (1994) examined in the context ...
    • Exploring European sporting identities: history, theory, methodology , 

      Crosson, Seán; Dine, Philip (Peter Lang, 2010)
      This collaborative study (an introduction to the collection Sport, Representation, and Evolving Identities in Europe) is intended to contribute to the ongoing elucidation of the role of sport in the processes of identity ...
    • Fairytale and Gothic Horror: Uncanny Transformations in Film, Laura Hubner (2018) 

      Casey, Máiréad (Intellect, 2020-04-01)
      Review of: Fairytale and Gothic Horror: Uncanny Transformations in Film, Laura Hubner (2018), London: Palgrave Macmillan, 206 pp.,
    • Faith Healer by Brian Friel, Gate Theatre 

      Lonergan, Patrick (Irish Theatre Magazine, 2010)
      During the last decade, Owen Roe has emerged as one of Ireland’s very best actors – yet, until now, he’s rarely filled a major leading role. His performance as the Irishman in Ben Barnes’s 2001 Gigli Concert was astonishing ...
    • 'Female agency' in Lady Morgan's The Princess, or, The Béguine (1835). 

      O'Dwyer, Riana (Humanitas, 2011)
      This little-known novel expresses two of Lady Morgan's enthusiasms: her love of Europe and interest in travelling there, and her developing feminism. She had previously provoked controversy by her combination of travel and ...
    • Ferociously-Paced Magical Surrealism 

      Kenny, John (The Irish Times, 2000-03-04)
    • The Field by John B. Keane, Olympia Theatre 

      Lonergan, Patrick (Irish Theatre Magazine, 2011)
      Irish attitudes towards John B. Keane have changed a lot during the last ten years – due largely to Garry Hynes’ production of four of his plays during that period. Keane has always been popular, but he was also seen by ...
    • Fighting Fictions 

      Kenny, John (The Irish Times, 2000-07-22)
    • Folk horror in the twenty-first century 

      Casey, Máiréad (Irish Gothic Journal, School of English, Trinity College Dublin, 2020)
      Casey highlights the Folk Horror in the Twenty-First Century conference at Falmouth University. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of ...
    • “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

      Crosson, Seán (2012)
      Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
    • For the pleasure of seeing her again by Michel Tremblay, translated by Linda Gaboriau, Peacock Theatre 

      Lonergan, Patrick (Irish Theatre Magazine, 2002)
      As Michel Tremblay’s play begins, we are told that we are not about to see a Three Sisters or a Hamlet. Instead, we are asked to witness the writer’s remembrance of Nana, his mother, whom he is summoning to the stage "for ...
    • For the Sake of Argument: Crowdsourcing Annotation of Macpherson's Ossian 

      Barr, Rebecca Anne; Tonra, Justin (2014)
      The argument presented by a scholarly edition can usually be traced to the vision of a single editor or a very small group of editors. But is it possible or even desirable for an edition to present multiple, perhaps competing, ...
    • Francis Hutcheson's aesthetics and his critics in Ireland: Charles-Louis de Villette and Edmund Burke 

      Carey, Daniel (Research Institute of Irish and Scottish Studies, University of Aberdeen, 2016)
      In his own time as much as in ours, the response to Francis Hutcheson’s philosophy has concentrated above all on his contribution to moral thought, especially the articulation of a so-called ‘moral sense’.1 The moral ...
    • From Babe Ruth to Michael Jordan: Affirming the American Dream via the Sports/Film Star 

      Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2014)
      In the United States, sport stars have provided crucial affirmation of the American Dream ideology despite the considerable evidence that questions the validity and appropriateness of this belief for understandings of ...
    • From Kings to Cáca Mílis: Irish film and television as Gaeilge in 2007 

      Crosson, Seán (2007)
      A review of recent trends in Irish language television and film, including a consideration of the films Cré na Cille (Graveyard Clay) (2007), Kings (2007) and the TV series "Paddywhackery" (2007) and "The Running Mate" (2007).
    • Gaelic Games and 'the Movies' 

      Crosson, Seán (Irish Academic Press, 2009)
      From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were ...
    • Gaelic games and the films of John Ford 

      Crosson, Seán (Wissenschaftlicher Verlag Trier, 2018-02-27)
      This peer-reviewed chapter emerged further to ongoing research into the representations of Gaelic games in the cinema and is focused on films directed, or part-directed, by John Ford, in particular The Quiet Man (1952), ...
    • Gangland Knockabout 

      Kenny, John (The Irish Times, 2000-03-18)
    • Gender and the Discourse of Young Ireland Nationalism 

      Ryder, Sean (Galway University Press, 1995)