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Now showing items 21-30 of 31
The Last Summer by Declan Hughes: programme note for Gate Theatre, Dublin
(Gate Theatre, 2012)
[No abstract available]
All that Fall by Samuel Beckett, Pan Pan Theatre Company
(Irish Theatre Magazine, 2011)
The first thing to say about Pan Pan’s performance of Beckett’s 1956 radio play is this: if you’re planning on going to it, please don’t
read this review – it would be a shame to spoil the surprise that awaits you.
And ...
The Match Box by Frank McGuinness: programme note for Galway International Arts Festival
(Galway International Arts Festival, 2015)
[No abstract available]
Digging around in the past for a glimpse of the future
(The Irish Times, 2013-04-22)
[No abstract available]
Home is where the heart is - and the drama too
(The Irish Times, 2015-01-03)
[No abstract available]
‘Great Joys Were My Share Always’: Ibsenite echoes in Synge’s Deirdre of the Sorrows
(International Association for the Study of Irish Literatures (IASIL) Japan, 2017)
[No abstract available]
'Perform, or Else!'
(ISTR Irish Society for Theatre Research, 2014)
This latest issue of Irish Theatre International bridges the discourses of theatre practice and research with that of performance studies, and also with the ways in which social, economic, political and cultural activities ...
‘Now for Our Irish Wars’ – Jez Butterworth’s The Ferryman and the Irish Dramatic Canon
(Routledge, 2020-11-22)
This article explores the Irish features of Jez Butterworth’s _The Ferryman_, focussing on his
use of overfamiliar Irish tropes as well as his intertextual allusions to writers such as Brian
Friel, WB Yeats, and Seamus ...
‘A Twisted, Looping Form’ Staging dark ecologies in Ella Hickson’s Oil
(Taylor & Francis (Routledge), 2020-06-01)
In Dark Ecology (2016), Timothy Morton argues that one of the challenges presented by the impact of human activity upon the environment is that [w]e are faced with the task of thinking at temporal and spatial scales that ...
‘It is suicide to be abroad. But what it is to be at home …’: Beckett as national performance
(Intellect, 2020-12-01)
This article explores how nations such as Ireland interact with each other ‐ and seek to understand themselves ‐ by appropriating theatre-makers and other artists, using them to perform versions of that nation to the outside ...