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Now showing items 11-16 of 16
The theatre of Marie Jones: telling stories from the ground up
(Taylor & Francis, 2016-11-11)
It’s sometimes asserted that Irish women writers are doubly marginalised: first by their nationality and then by their gender. If that statement is true, we might add to it that Marie Jones has been marginalised a third ...
Krapp's Last Tape by Samuel Beckett, Gate Theatre
(Irish Theatre Magazine, 2010)
It took Samuel Beckett about three weeks to write Krapp’s Last Tape. During that time, the play went through seven
distinct stages which, according to the scholarship, involved a gradual stripping away of sentimentality: ...
All that Fall by Samuel Beckett, Pan Pan Theatre Company
(Irish Theatre Magazine, 2011)
The first thing to say about Pan Pan’s performance of Beckett’s 1956 radio play is this: if you’re planning on going to it, please don’t
read this review – it would be a shame to spoil the surprise that awaits you.
And ...
A theatre of truth? Negotiating place, politics and policy in the Dublin Fringe Festival
(Carysfort Press, 2015-07-31)
[No abstract available]
'Perform, or Else!'
(ISTR Irish Society for Theatre Research, 2014)
This latest issue of Irish Theatre International bridges the discourses of theatre practice and research with that of performance studies, and also with the ways in which social, economic, political and cultural activities ...
Shakespeare and the Irish Writer edited by Janet Clare and Stephen O Neill
(Irish Theatre Magazine, 2010)
Shakespeare, wrote Ben Jonson, was both the “soul of the age” and “for all time”. His work, that is, encapsulated the life of
his society – but it also transcended space and time, acquiring universal importance. That ...