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Measure for Measure by William Shakespeare, Rattlebag Theatre Company, Civic Theatre Tallaght and Henry IV – Part One by William Shakespeare, Peacock Theatre
(Irish Theatre Magazine, 2003)
Almost every European country that gained independence after the First World War had one thing in common: with only one exception, they all tried to stimulate the growth of a national literature by commissioning translations ...
Tilsonburg by Malachy McKenna, Focus Theatre/Irish Touring Company, Town Hall Theatre and Shiver by Declan Hughes, Rough Magic, Project Arts Centre, Dublin
(Irish Theatre Magazine, 2003)
Critics have been declaring Irish playwrighting to be in a state of crisis for most of the last 100 years but, even so, it’s hard not to feel glum about the present state of our writing for the stage. The latest plays from ...
All we say is 'Life is crazy': - Central and Eastern Europe and the Irish Stage
(Dublin: Carysfort Press, 2009)
[No abstract available]
Half-hearted: Irish Theatre, 2003
(Center for Irish Studies, University of St. Thomas, 2004)
Irish theater experienced an unusuaily quiet period in 2003. Although the year was free of the controversies that have overshadowed recent years, it was also too frequently free of excitement, creativity, and originality. ...
The Blind Fiddler by Marie Jones, Lyric Theatre, Belfast
(Irish Theatre Magazine, 2003-06-12)
Perhaps unfairly, Marie Jones remains more noted for commercial rather than critical success. The Blind Fiddler – an exciting fusion of melodrama, traditional music, and great storytelling – looks likely to be as successful ...
Dancing on a one-way street: Irish reactions to Dancing at Lughnasa in New York
(Syracuse University Press, 2009)
[No abstract available]
Shakespearean productions at the Abbey Theatre, 1970-1985
(Palgrave Macmillan, 2015)
[No abstract available]
The Field by John B. Keane, Olympia Theatre
(Irish Theatre Magazine, 2011)
Irish attitudes towards John B. Keane have changed a lot during the last ten years – due largely to Garry Hynes’
production of four of his plays during that period. Keane has always been popular, but he was also seen by ...
Queer notions: new plays and performances from Ireland by Fintan Walsh
(Irish Theatre Magazine, 2011-01-30)
Fintan Walsh’s new anthology begins with a line that seems in danger of subverting the rest of the book. “There is strength
in numbers, so they say,” writes Frank McGuinness in his foreword – before adding “I’ve never ...
Tackling a live subject: the Hinterland controversy
(Irish Theatre Magazine, 2002)
The ramifications of the controversy over Sebastian Barry’s latest play echo well beyond the "Hinterland", argues Patrick Lonergan.
What, exactly, is so bad about Hinterland? Using aspects of the career of Charles ...