Measure for Measure by William Shakespeare, Rattlebag Theatre Company, Civic Theatre Tallaght and Henry IV – Part One by William Shakespeare, Peacock Theatre
MetadataShow full item record
This item's downloads: 30 (view details)
Lonergan, Patrick. (2003) Measure for Measure by William Shakespeare, Rattlebag Theatre Company, Civic Theatre Tallaght and Henry IV – Part One by William Shakespeare, Peacock Theatre. Irish Theatre Magazine, Spring, 3(14)
Almost every European country that gained independence after the First World War had one thing in common: with only one exception, they all tried to stimulate the growth of a national literature by commissioning translations of two key texts – the Bible and the works of Shakespeare. There’s an interesting implication in this: that, for a nation to form an identity, it has to come to terms with God first, and then Shakespeare. The one exception to this trend was, of course, Ireland which (leaving aside our troublesome attitudes to God), found itself in a strange relationship with Shakespeare: too familiar to be translated, his work was also too English to be comfortably assimilated into our culture.
This item is available under the Attribution-NonCommercial-NoDerivs 3.0 Ireland. No item may be reproduced for commercial purposes. Please refer to the publisher's URL where this is made available, or to notes contained in the item itself. Other terms may apply.
The following license files are associated with this item:
Showing items related by title, author, creator and subject.
For the pleasure of seeing her again by Michel Tremblay, translated by Linda Gaboriau, Peacock Theatre Lonergan, Patrick (Irish Theatre Magazine, 2002)As Michel Tremblay’s play begins, we are told that we are not about to see a Three Sisters or a Hamlet. Instead, we are asked to witness the writer’s remembrance of Nana, his mother, whom he is summoning to the stage "for ...
Tilsonburg by Malachy McKenna, Focus Theatre/Irish Touring Company, Town Hall Theatre and Shiver by Declan Hughes, Rough Magic, Project Arts Centre, Dublin Lonergan, Patrick (Irish Theatre Magazine, 2003)Critics have been declaring Irish playwrighting to be in a state of crisis for most of the last 100 years but, even so, it’s hard not to feel glum about the present state of our writing for the stage. The latest plays from ...
Lonergan, Patrick (Irish Theatre Magazine, 2003-06-12)Perhaps unfairly, Marie Jones remains more noted for commercial rather than critical success. The Blind Fiddler – an exciting fusion of melodrama, traditional music, and great storytelling – looks likely to be as successful ...