Now showing items 1-3 of 3
Historical duty, palimpsestic time, and migration in the Decade of Centenaries
(Taylor & Francis, 2015-11-23)
This article analyses Sonya Kelly’s How to Keep an Alien (Dublin Tiger Fringe, 2014) and ANU Production’s Vardo (Dublin Theatre Festival, 2014) in relationship to the performative backdrop of the Irish Decade of Centenaries ...
Staging the new Irish : interculturalism and the future of the post-Celtic Tiger Irish theatre
(University of Toronto Press, 2011)
In this article, I argue that the work of minority-ethnic artists reframes the parameters of Irish national belonging and tests the limits of “interculturalism” as official discourse in the post–Celtic Tiger nation. I ...
'Albert Nobbs', Ladies and Gentlemen, and Quare Irish Female Erotohistories
(Edinburgh University Press, 2013-05)
This essay models an approach to quare Irish female erotohistoriography through analyzing George Moore's 1918 novella 'Albert Nobbs' (later adapted as The Singular Life of Albert Nobbs by French feminist playwright Simone ...