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dc.contributor.authorPutnam, El
dc.date.accessioned2021-02-18T11:54:58Z
dc.date.available2021-02-18T11:54:58Z
dc.date.issued2017-11-25
dc.identifier.citationPutnam, El. (2017). Performances of Situated Knowledge in the Ageing Female Body. In Cathy McGlynn, Margaret O'Neill, & Michaela Schrage-Früh (Eds.), Ageing Women in Literature and Visual Culture: Reflections, Refractions, Reimaginings (pp. 235-252). London: Palgrave Macmillan, Cham. doi: 10.1007/978-3-319-63609-2_14en_IE
dc.identifier.isbn978-3-319-63608-5
dc.identifier.urihttp://hdl.handle.net/10379/16566
dc.description.abstractKathleen Woodward describes how the ageing female body is both hyper-visible and invisible: mass media representations tend to regulate expectations for how women are to behave as they age while rendering them obsolete and erasing them from view. The artists under consideration in this chapter—Rocio Boliver, Pauline Cummins and Frances Mezzetti, and Marilyn Arsem—reveal the relationship between gender and age in a non-traditional manner. Despite the differences between these artists in how they approach ageing, their practices are united in that experiences of ageing are treated as performative through the creation of live works that emerge from embodied experiences.en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.publisherPalgrave Macmillanen_IE
dc.relation.ispartofAgeing Women in Literature and Visual Cultureen
dc.subjectPerformanceen_IE
dc.subjectAgeingen_IE
dc.subjectFemaleen_IE
dc.titlePerformances of situated knowledge in the ageing female bodyen_IE
dc.typeBook chapteren_IE
dc.date.updated2021-02-17T12:05:46Z
dc.identifier.doi10.1007/978-3-319-63609-2_14
dc.local.publishedsourcehttps://doi.org/10.1007/978-3-319-63609-2_14en_IE
dc.description.peer-reviewedPeer reviewed
dc.internal.rssid15817187
dc.local.contactEl Putnam. Email: el.putnam@nuigalway.ie
dc.local.copyrightcheckedYes
dc.local.versionACCEPTED
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