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Now showing items 11-20 of 41
“Memory Cheats”: deception, recollection, and the problem of reading in The Captain And The Enemy
(Nighthawks Open Institutional Repository, University of North Georgia, 2017)
The Captain and the Enemy is one of
Greene’s least well-known and least loved
novels. It has received little critical attention,
but that is hardly any wonder: it is a
frustrating, perplexing, and ultimately
unfulfilling ...
Pagan angels and a moral law: Byron and Moore's blasphemous publications
(Taylor & Francis, 2017-12-01)
Lord Byron's Cain and Thomas Moore's The Loves of the Angels are linked by critical accusations of blasphemy which threatened their legal and commercial integrity. Comparing the critical and legal reception of the two works ...
Teaching Caxton's Prologue to Eneydos as an introduction to Renaissance literary culture
(Michael Boecherer, Ed. & Pub, 2015-06)
Over the past few decades, contemporary scholarship on Renaissance literature has increasingly come to intersect with the concerns of book history and material culture. This has been reflected in the classroom, for instance, ...
Oenone and Colin Clout
(Edinburgh University Press, 2016-11)
Spenser's Shepheardes Calender was still a new work, not even yet publicly acknowledged by its author, when George Peele made the rather surprising decision to co-opt its central character and reanimate Colin Clout onstage ...
Resurrecting Shakespeare's ghost plays
(Oxford University Press, 2018-09-04)
This article draws attention to a group of remarkably similar novels published between 2003 and 2009: William Martin s Harvard Yard, Jennifer Lee Carrell s The Shakespeare Secret (also known as Interred with Their Bones), ...
Arachne in Marlowe’s ‘Ad amicam corruptam’ (Amores 2.5)
(Oxford University Press, 2018-09-20)
When, at the close of the sixteenth century, Christopher Marlowe’s rendition of Amores 2.5 posthumously appeared in All Ovids Elegies (the earliest vernacular translation of this work to have been published in Europe and ...
Ovidian retro-metamorphosis on the Elizabethan stage
(McMaster University Library Press and Becker Associates, 2018-11-02)
Although Ovid dedicated his Metamorphoses to the subject of change, the vast majority of the corporeal alterations catalogued in this ancient Roman poem are singular, permanent transformations. In contrast, dramatists ...
Mixing With the Devil. Review of Falling Out of Heaven, by John Lynch
(The Irish Times, 2010)
Richardson's 'Sir Charles Grandison' and the symptoms of subjectivity
(The Eighteenth Century, 2010-12-01)
Proceeding from the academic orthodoxy that the eighteenth-century novel is a key site of the creation of modern subjectivity, this essay examines the representations of authority, morality, and community in Richardson's ...
Capital enthusiasm
(Duke University Press, 2013)
No abstract available