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Reviewing
(Routledge, 2015-02-12)
This article explores the practice of reviewing, using the methodologies associated with theatre criticism to consider how best to manage the academic practice of reviewing.
“Anything But Stand Still”: Billy Roche’s On Such as We
(Carysfort Press, 2013)
[No abstract available]
Re-imagining Ireland, occupying Iraq: Colin Teevan's How Many Miles to Basra
(Debrecen University Press, 2011)
[No abstract available]
J.M. Synge, authenticity, and the regional
(Edinburgh University Press, 2013)
[No abstract available]
"I Do Repent and Yet I Do Despair": Beckettian and Faustian allusions in Conor McPherson's the Seafarer and Mark O'Rowe's Terminus
(Routledge, 2012)
In a press interview in April 2007, Conor McPherson correctly anticipated the
imminent conclusion of the ‘Celtic Tiger’ period – the decade-long economic
boom that had transformed Ireland into one of the world’s richest ...
Review of Stewart Parker: A Life by Marilynne Richtarik
(Modern Humanities Research Association, 2015-10)
Stewart Parker is ofen spoken of as Ireland’s most unjustly neglected dramatist.
His first play, Spokesong, was an unexpected hit at the Dublin Teatre Festival in
1975; his last play, Pentecost (1987), is one of the great ...
“Old Fools are Babes Again”: Shakespeare at the Abbey Theatre: programme note for King Lear directed by Selina Cartmell at the Abbey Theatre
(Abbey Theatre, 2013)
[No abstract available]
Shakespearean productions at the Abbey Theatre, 1970-1985
(Palgrave Macmillan, 2015)
[No abstract available]
The Field by John B. Keane, Olympia Theatre
(Irish Theatre Magazine, 2011)
Irish attitudes towards John B. Keane have changed a lot during the last ten years – due largely to Garry Hynes’
production of four of his plays during that period. Keane has always been popular, but he was also seen by ...
Queer notions: new plays and performances from Ireland by Fintan Walsh
(Irish Theatre Magazine, 2011-01-30)
Fintan Walsh’s new anthology begins with a line that seems in danger of subverting the rest of the book. “There is strength
in numbers, so they say,” writes Frank McGuinness in his foreword – before adding “I’ve never ...