Now showing items 66-85 of 329

    • 'Female agency' in Lady Morgan's The Princess, or, The Béguine (1835). 

      O'Dwyer, Riana (Humanitas, 2011)
      This little-known novel expresses two of Lady Morgan's enthusiasms: her love of Europe and interest in travelling there, and her developing feminism. She had previously provoked controversy by her combination of travel and ...
    • Ferociously-Paced Magical Surrealism 

      Kenny, John (The Irish Times, 2000-03-04)
    • The Field by John B. Keane, Olympia Theatre 

      Lonergan, Patrick (Irish Theatre Magazine, 2011)
      Irish attitudes towards John B. Keane have changed a lot during the last ten years – due largely to Garry Hynes’ production of four of his plays during that period. Keane has always been popular, but he was also seen by ...
    • Fighting Fictions 

      Kenny, John (The Irish Times, 2000-07-22)
    • Folk horror in the twenty-first century 

      Casey, Máiréad (Irish Gothic Journal, School of English, Trinity College Dublin, 2020)
      Casey highlights the Folk Horror in the Twenty-First Century conference at Falmouth University. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of ...
    • “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

      Crosson, Seán (2012)
      Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
    • For the pleasure of seeing her again by Michel Tremblay, translated by Linda Gaboriau, Peacock Theatre 

      Lonergan, Patrick (Irish Theatre Magazine, 2002)
      As Michel Tremblay’s play begins, we are told that we are not about to see a Three Sisters or a Hamlet. Instead, we are asked to witness the writer’s remembrance of Nana, his mother, whom he is summoning to the stage "for ...
    • For the Sake of Argument: Crowdsourcing Annotation of Macpherson's Ossian 

      Barr, Rebecca Anne; Tonra, Justin (2014)
      The argument presented by a scholarly edition can usually be traced to the vision of a single editor or a very small group of editors. But is it possible or even desirable for an edition to present multiple, perhaps competing, ...
    • Francis Hutcheson's aesthetics and his critics in Ireland: Charles-Louis de Villette and Edmund Burke 

      Carey, Daniel (Research Institute of Irish and Scottish Studies, University of Aberdeen, 2016)
      In his own time as much as in ours, the response to Francis Hutcheson’s philosophy has concentrated above all on his contribution to moral thought, especially the articulation of a so-called ‘moral sense’.1 The moral ...
    • From Babe Ruth to Michael Jordan: Affirming the American Dream via the Sports/Film Star 

      Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2014)
      In the United States, sport stars have provided crucial affirmation of the American Dream ideology despite the considerable evidence that questions the validity and appropriateness of this belief for understandings of ...
    • From Kings to Cáca Mílis: Irish film and television as Gaeilge in 2007 

      Crosson, Seán (2007)
      A review of recent trends in Irish language television and film, including a consideration of the films Cré na Cille (Graveyard Clay) (2007), Kings (2007) and the TV series "Paddywhackery" (2007) and "The Running Mate" (2007).
    • Gaelic Games and 'the Movies' 

      Crosson, Seán (Irish Academic Press, 2009)
      From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were ...
    • Gaelic games and the films of John Ford 

      Crosson, Seán (Wissenschaftlicher Verlag Trier, 2018-02-27)
      This peer-reviewed chapter emerged further to ongoing research into the representations of Gaelic games in the cinema and is focused on films directed, or part-directed, by John Ford, in particular The Quiet Man (1952), ...
    • Gangland Knockabout 

      Kenny, John (The Irish Times, 2000-03-18)
    • Gender and the Discourse of Young Ireland Nationalism 

      Ryder, Sean (Galway University Press, 1995)
    • Gendered experiences of the Irish music industry report 

      Hanlon, Ann-Marie (University of Galway, 2023-02-24)
      This national study on gender and music in Ireland, this project explores how gender might impact a career as a musician within the contemporary music industry. This report relates the experiences of musicians using ...
    • The Gigli Concert by Tom Murphy, Druid Theatre 

      Lonergan, Patrick (Irish Theatre Magazine, 2009-09)
      One of the clichés of Irish theatre historiography is that drama in this country is excessively verbal – that our dramatists write for the voice, but not for the body. But if you actually go to the theatre here, it soon ...
    • Girl chewing gum: the time that cinema forgot 

      Stoneman, Rod (Intellect / Ingenta Connect, 2012-02)
      John Smith's Girl Chewing Gum was made in Hackney, East London and shown at the London Film-Makers' Co-op in 1976. Through its wit and imagination this film extended the forms of British avant-garde experimentation that ...
    • A Girl of Many Words 

      Kenny, John (The Irish Times, 2003-11-08)
    • The Given Note traditional music, crisis and the poetry of Seamus Heaney 

      Crosson, Seán (Palgrave, 2011)
      This paper proposes that at a time when Northern Ireland increasingly descended into civil strife and crisis, Seamus Heaney looked to landscape, and to a lesser but comparable, extent traditional music, to articulate a ...