Browsing by Author "Holohan, Conn"
Now showing items 1-5 of 5
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Between realities: investigating temporal relations between stillness and movement in contemporary artists' lens-based imagery
Duggan, Nora (2017-02-23)Temporal registers of stillness and movement in lens-based imagery, traditionally defined under the terms of photography and film, are in many ways two faces of the same coin, one representing time as a frozen moment and ... -
Comic books in the digital age: Understanding technological co-existence through post-medium specificity
McGarry, Cormac Michael (NUI Galway, 2020-02-28)Comic books, a rarefied pastime in Western countries, have increasingly become content providers and narrative links in wide transmedia enterprises and have found new audiences through digital channels. This places the ... -
Framing open space-time in the films of Jean Renoir: society, ideology, technology
Nevin, Barry (2016-02-01)In the films of Jean Renoir (1894-1979), class strata clash in public and private spheres, alternately eroding and bolstering ideological values, and implementing traumatic social upheaval on a local, national, or even ... -
‘Here. Now. Ours’: interrogating the use of situated Augmented Reality electronic-literature to increase awareness of a city’s green, public spaces
Gwalchmai, Benjamin (John Nicholas) (NUI Galway, 2022-02-02)The aim of this practice-based research is to investigate the use of situated Augmented Reality electronic literature (eLit) as a new way of increasing awareness of a city’s green spaces in its citizens. Its hypothesis is ... -
Stigma and stigmata: Demon possession and sexual violence in post-recession American horror cinema
Casey, Máiréad (NUI Galway, 2022-05-31)This thesis is a contemporaneous analysis of the subgenre of demon-possession film in post-recession American horror. Demonic possession horror operates under generic codes and conventions that are explicitly gendered. In ...