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dc.contributor.authorLonergan, Patrick
dc.date.accessioned2017-07-04T08:37:06Z
dc.date.available2017-07-04T08:37:06Z
dc.date.issued2003
dc.identifier.citationLonergan, Patrick. (2003). HURL by Charlie O’Neill, Barrabas Theatre Company, Black Box Theatre, Galway. Irish Theatre Magazine, Winter 4 (17).en_IE
dc.identifier.issn1393-7855
dc.identifier.urihttp://hdl.handle.net/10379/6641
dc.description.abstractMinutes into Hurl, Charlie O’Neil’s play about a multi-ethnic hurling team, a ripple of discomfort sweeps through the audience. On stage, a man and woman have entered the house of an alcoholic ex-priest; understandably, the place looks like a pigsty. “Irish men!” declares the woman, with gentle disdain. The line generates laughter, but there’s also audible disapproval, as if something inappropriate has been said. This is because the speaker is black, and from abroad. And some audience members clearly take offence at her character’s delivery of a line that would have passed without comment if uttered by a white Irish woman.en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.relation.ispartofen
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Ireland
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/ie/
dc.subjectIrish theatreen_IE
dc.subjectTheatre studiesen_IE
dc.subjectDramaen_IE
dc.subjectHURLen_IE
dc.subjectCharlie O’Neillen_IE
dc.subjectBlack Box Theatreen_IE
dc.subjectGalwayen_IE
dc.titleHURL by Charlie O’Neill, Barrabas Theatre Company, Black Box Theatre, Galwayen_IE
dc.typeArticleen_IE
dc.date.updated2017-06-21T13:54:27Z
dc.local.publishedsourcehttp://itmarchive.ie/print/en_IE
dc.description.peer-reviewednon-peer-reviewed
dc.contributor.funder|~|
dc.internal.rssid1174140
dc.local.contactPatrick Lonergan, Drama & Theatre Studies, School Of Humanities, Nui Galway. 2631 Email: patrick.lonergan@nuigalway.ie
dc.local.copyrightcheckedYes
dc.local.versionACCEPTED
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