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dc.contributor.authorLonergan, Patrick
dc.date.accessioned2017-07-04T08:18:00Z
dc.date.available2017-07-04T08:18:00Z
dc.date.issued2010
dc.identifier.citationLonergan, Patrick (2010) Faith Healer by Brian Friel, Gate Theatre, Irish Theatre Magazine Onlineen_IE
dc.identifier.issn1393-7855
dc.identifier.urihttp://hdl.handle.net/10379/6640
dc.description.abstractDuring the last decade, Owen Roe has emerged as one of Ireland’s very best actors – yet, until now, he’s rarely filled a major leading role. His performance as the Irishman in Ben Barnes’s 2001 Gigli Concert was astonishing precisely because it was so well matched by Mark Lambert in the role of JPW King. Likewise, his work as Petruchio in the 2006 Rough Magic Taming of the Shrew was memorable because it was so thoroughly complemented by Pauline McLynne’s Katherina. Roe, in other words, is the kind of actor one could build a company around: he excels when he works with others – mirroring them, reacting to them, listening to them. Some actors are so great that they can make others seem mediocre by comparison. Roe is great because he allows everyone around him to seem excellent.en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.publisherIrish Theatre Magazineen_IE
dc.relation.ispartofen
dc.subjectTheatre studiesen_IE
dc.subjectDramaen_IE
dc.subjectIrish theatreen_IE
dc.subjectFaith Healeren_IE
dc.subjectBrian Frielen_IE
dc.subjectGate Theatreen_IE
dc.titleFaith Healer by Brian Friel, Gate Theatreen_IE
dc.typeArticleen_IE
dc.date.updated2017-06-21T13:52:30Z
dc.local.publishedsourcehttp://itmarchive.ie/en_IE
dc.description.peer-reviewednon-peer-reviewed
dc.contributor.funder|~|
dc.internal.rssid1174434
dc.local.contactPatrick Lonergan, Drama & Theatre Studies, School Of Humanities, Nui Galway. 2631 Email: patrick.lonergan@nuigalway.ie
dc.local.copyrightcheckedYes
dc.local.versionPUBLISHED
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