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Globalisation and national theatre: two Abbey Theatre productions of Sean o'Casey's The Plough and the Stars
(Cambridge Scholars Press, Newcastle, 2007)
[No abstract available]
“Anything But Stand Still”: Billy Roche’s On Such as We
(Carysfort Press, 2013)
[No abstract available]
Re-imagining Ireland, occupying Iraq: Colin Teevan's How Many Miles to Basra
(Debrecen University Press, 2011)
[No abstract available]
Ireland, China, Belgium, Finland: brokentalkers and the transnational connectivities of post-Celtic Tiger Irish performance
(Brill, 2015)
[No abstract available]
A portrait of the citizen as artist: Community arts, devising and contemporary Irish theatre practice
(Carysfort Press, 2015)
[No abstract available]
Measure for Measure by William Shakespeare, Rattlebag Theatre Company, Civic Theatre Tallaght and Henry IV – Part One by William Shakespeare, Peacock Theatre
(Irish Theatre Magazine, 2003)
Almost every European country that gained independence after the First World War had one thing in common: with only one exception, they all tried to stimulate the growth of a national literature by commissioning translations ...
Tilsonburg by Malachy McKenna, Focus Theatre/Irish Touring Company, Town Hall Theatre and Shiver by Declan Hughes, Rough Magic, Project Arts Centre, Dublin
(Irish Theatre Magazine, 2003)
Critics have been declaring Irish playwrighting to be in a state of crisis for most of the last 100 years but, even so, it’s hard not to feel glum about the present state of our writing for the stage. The latest plays from ...
An enemy of the people, Ibsen adapted by Arthur Miller, Gate Theatre
(Irish Theatre Magazine, 2013)
Ibsen’s 1882 An Enemy of the People is sometimes described as a problem play, in that it dramatises a compelling debate
between two brothers about the nature of morality and individual responsibility. But that term might ...
The Blind Fiddler by Marie Jones, Lyric Theatre, Belfast
(Irish Theatre Magazine, 2003-06-12)
Perhaps unfairly, Marie Jones remains more noted for commercial rather than critical success. The Blind Fiddler – an exciting fusion of melodrama, traditional music, and great storytelling – looks likely to be as successful ...
Queer notions: new plays and performances from Ireland by Fintan Walsh
(Irish Theatre Magazine, 2011-01-30)
Fintan Walsh’s new anthology begins with a line that seems in danger of subverting the rest of the book. “There is strength
in numbers, so they say,” writes Frank McGuinness in his foreword – before adding “I’ve never ...