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Druid Theatre’s Leenane Trilogy on tour: 1996–2001
(Carysfort Press, 2005-09-20)
[No abstract available]
Regionalisation and Globalization in Irish Drama since 1990
(Érudit, 2006-09)
The impact of globalisation on Irish theatre since the early 1990s has been considerable. A study of four recent Irish plays, all produced by "regional" theatre companies, suggests that contemporary Irish theatre is dominated ...
Globalisation and national theatre: two Abbey Theatre productions of Sean o'Casey's The Plough and the Stars
(Cambridge Scholars Press, Newcastle, 2007)
[No abstract available]
Half-hearted: Irish Theatre, 2003
(Center for Irish Studies, University of St. Thomas, 2004)
Irish theater experienced an unusuaily quiet period in 2003. Although the year was free of the controversies that have overshadowed recent years, it was also too frequently free of excitement, creativity, and originality. ...
Reviewing
(Routledge, 2015-02-12)
This article explores the practice of reviewing, using the methodologies associated with theatre criticism to consider how best to manage the academic practice of reviewing.
All we say is 'Life is crazy': - Central and Eastern Europe and the Irish Stage
(Dublin: Carysfort Press, 2009)
[No abstract available]
“Anything But Stand Still”: Billy Roche’s On Such as We
(Carysfort Press, 2013)
[No abstract available]
J.M. Synge, authenticity, and the regional
(Edinburgh University Press, 2013)
[No abstract available]
"I Do Repent and Yet I Do Despair": Beckettian and Faustian allusions in Conor McPherson's the Seafarer and Mark O'Rowe's Terminus
(Routledge, 2012)
In a press interview in April 2007, Conor McPherson correctly anticipated the
imminent conclusion of the ‘Celtic Tiger’ period – the decade-long economic
boom that had transformed Ireland into one of the world’s richest ...
Re-imagining Ireland, occupying Iraq: Colin Teevan's How Many Miles to Basra
(Debrecen University Press, 2011)
[No abstract available]