Browsing Huston School of Film and Digital Media (Scholarly Articles) by Author "|~|"

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    • Alexander Kluge: Utopian Cinema 

      Stoneman, Rod (Rodopi, 2007-10-01)
      Alexander Kluge's films, television programmes and his other diverse activities contribute to a developed understanding of contemporary politics and culture. He took a version of creative critical theory into spheres of ...

    • "Ar son an Naisiuin": The National Film Institute of Ireland's All-Ireland Films 

      Crosson, Seán (Irish-American Cultural Institute, 2013)
      On 4 September 1948 the Irish Independent newspaper carried a small announcement on page ten indicating that the Gaelic Athletic Association (GAA) had authorized the filming of the All-Ireland hurling and football finals ...

    • Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964) 

      Crosson, Seán (Taylor & Francis, 2016-07-12)
      The sports coaching film has a long history, dating from at least 1932 with the production of Paulette McDonagh s How I Play Cricket which featured the legendary Don Bradman. However, coaching films dedicated to indigenous ...

    • 'Croke Park goes Plumb Crazy' Gaelic Games in Pathé Newsreels, 1920–1939 

      Crosson, Seán; McAnallen, Dónal (Taylor and Francis, 2011)
      From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the ...

    • Defining the heathen Irish and the pagan African: two similar discourses a century apart 

      Bateman, Fiona (2008)
      This article looks at two different missionary projects separated by space and time: British Protestant missions to Ireland in the mid-nineteenth century; and Irish Roman Catholic missions to Africa in the 1920 and 1930s. ...

    • “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

      Crosson, Seán (2012)
      Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...

    • Girl chewing gum: the time that cinema forgot 

      Stoneman, Rod (Intellect / Ingenta Connect, 2012-02)
      John Smith's Girl Chewing Gum was made in Hackney, East London and shown at the London Film-Makers' Co-op in 1976. Through its wit and imagination this film extended the forms of British avant-garde experimentation that ...

    • Global Interchange: The Same but Different 

      Stoneman, Rod (Palgrave Macmillan, 2013-08)
      Praxis is a productive basis for international interchange the diversity and pluralism of critical practice offers an implicit challenge to dominant models. The replication of versions of academic tunnel vision is too ...

    • Reimagining an Irish City: I am Belfast 

      Crosson, Seán (Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)
      An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...

    • The Theory of Film Practice: Thirty Years Later 

      Stoneman, Rod (Cambridge Scholars Publishing, 2013)
      Jean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it was an intimate voyage that is permeable to the world s upheavals; it is from the tension between these two poles: autobiographical ...