Now showing items 38-57 of 61

    • A May Day Manifesto 

      Stoneman, Rod (2010)
      "A map of the world that does not include Utopia is not worth even glancing at..." - Oscar Wilde,The Soul of man under socialism, 1891
    • Nuala Ní Dhomhnaill: Reclaiming women's voice from song 

      Crosson, Seán (University of Sunderland Press, 2005)
      Nuala Ní Dhomhnaill is one of the most distinctive voices in contemporary Irish literature. Her work, drawing on Irish mythology, folklore and orature has also attracted considerable international acclaim and has been ...
    • Performance and music in the poetry of Ciaran Carson 

      Crosson, Seán (Nordic Irish Studies, 2004)
      Ciaran Carson has established a reputation as one of Ireland's most important poetic voices. However, Carson is also an accomplished musician whose work reflects the liminal borderland that has always existed between Irish ...
    • Performances of situated knowledge in the ageing female body 

      Putnam, El (Palgrave Macmillan, 2017-11-25)
      Kathleen Woodward describes how the ageing female body is both hyper-visible and invisible: mass media representations tend to regulate expectations for how women are to behave as they age while rendering them obsolete and ...
    • Performing pregnant: An aesthetic investigation of pregnancy 

      Putnam, El (Palgrave Macmillan, 2018-02-17)
      In this chapter, I explore how the aesthetics of pregnancy and childbirth offers a platform for exploring the pregnant body in the cultural consciousness by building on Iris Marion Young’s phenomenological understanding ...
    • The Quiet Man and Beyond: An Introduction 

      Crosson, Seán (Liffey Press, 2009)
      In 1996, The Quiet Man topped an Irish Times poll for the best Irish film of all time. Almost ten years later, with many more Irish (and Irish-themed) films made, The Quiet Man still occupied number four in a poll of 10,000 ...
    • Reimagining an Irish City: I am Belfast 

      Crosson, Seán (Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)
      An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...
    • Review of "Hunger" 

      Crosson, Seán (2008)
      Review of Steve McQueen's 2008 British-Irish historical drama film Hunger, starring Michael Fassbender (as Republican leader Bobby Sands), Liam Cunningham, and Liam McMahon. The film is concerned with the 1981 Irish hunger strike.
    • Review of "Pavee Lackeen" (2005) 

      Crosson, Seán (2006)
      Review of an innovative film, shot on mini-DV in a pseudo documentary style, featuring an Irish Traveller family.
    • Review of "Six Shooter" 

      Crosson, Seán (2006)
      Review of one of the most provocative Irish short films in recent years, a work that manages not just to reference acclaimed playwright and director Martin McDonagh’s major influences but also provides a commentary on ...
    • The sea of orality: An introduction to orality and modern Irish culture 

      Cronin, Nessa; Crosson, Seán; Eastlake, John (Cambridge Scholars Publishing, 2009)
      [Introduction to the collection Anáil an Bhéil Bheo: Orality and Modern Irish Culture (Cambridge Scholars Publishing, 2009)] While the connections between oral and textual traditions in Ireland have been the focus of much ...
    • Shillalah Swing Time ...You'll thrill each time a wild Irishman s skull shatters : Representing Hurling in American Cinema: 1930-1960 

      Crosson, Seán (Irish Academic Press, 2009)
      While significant research has been done over the past twenty years on the important role Gaelic games and their promotion played in the construction and development of Irish nationalism and Irish identity, particularly ...
    • Soft and Hard: Indications Intimations Implications 

      Stoneman, Rod (Editions du Centre Pompidou, 2006)
      "At a time when television was extending its bravery and its boundaries, when it offered creative space for the world¿s film-makers, when a cinema of ideas was still possible..."
    • Speaking Directly 

      Stoneman, Rod (2010)
    • Sport and Christianity in American cinema ‘The beloved grew fat and kicked’ (Deuteronomy 32:15) 

      Crosson, Seán (Taylor & Francis (Routledge), 2017-10-21)
      Christianity has been an enduring feature of films featuring sports or sporting figures since the early twentieth century, such that religious icons, references and rituals have now become naturalised as familiar and ...
    • Sport and the 1916 Rising 

      Crosson, Seán (Teagasc, 2016)
      This chapter considers the role of sport in the lives of participants in the 1916 Easter Rising.
    • Sport and the media in Ireland: an introduction 

      Crosson, Seán; Dine, Philip (Taylor and Francis, 2011)
      [Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through ...
    • Sport, representation, and the commemoration of the 1916 Rising: a new Ireland rises? 

      Crosson, Seán (European Federation of Associations and Centres of Irish Studies (EFACIS), the Research Institute of Irish and Scottish Studies (RIISS) in Aberdeen, and the University of Leuven, 2018-10-24)
      Commemoration is part of what defines nations and their configurations; the considerable investment of the Irish state (and various sporting organisations) during 2016 in 1916 commemorations speaks to the importance of ...
    • Strange mothers: The maternal and contemporary media art in Ireland 

      Putnam, El (Anthem Press, 2021-02)
      [No abstract available]
    • The Theory of Film Practice: Thirty Years Later 

      Stoneman, Rod (Cambridge Scholars Publishing, 2013)
      Jean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it was an intimate voyage that is permeable to the world s upheavals; it is from the tension between these two poles: autobiographical ...