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dc.contributor.authorLonergan, Patrick
dc.date.accessioned2016-04-26T12:52:45Z
dc.date.issued2015-10
dc.identifier.citationPatrick Lonergan. (2015). [Review of Stewart Parker: A Life]. The Modern Language Review, 110(4), 1125–1126. http://doi.org/10.5699/modelangrevi.110.4.1125en_IE
dc.identifier.issn0026-7937)
dc.identifier.urihttp://hdl.handle.net/10379/5716
dc.description.abstractStewart Parker is ofen spoken of as Ireland’s most unjustly neglected dramatist. His first play, Spokesong, was an unexpected hit at the Dublin Teatre Festival in 1975; his last play, Pentecost (1987), is one of the great works about the Troubles in Northern Ireland. And in the years between those two productions he wrote several other dramas—all on (ostensibly) different themes, but all unified by a spirit of playful experimentation. Parker’s death from cancer in 1988—at the age of only forty-seven—robbed the Irish theatre of a figure who had already shown greatness, and who obviously had much more to accomplish.en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.publisherModern Humanities Research Associationen_IE
dc.relation.ispartofModern Language Reviewen
dc.subjectStewart Parkeren_IE
dc.subjectEnglishen_IE
dc.titleReview of Stewart Parker: A Life by Marilynne Richtariken_IE
dc.typeArticleen_IE
dc.date.updated2016-02-05T06:28:39Z
dc.identifier.doi10.5699/modelangrevi.110.4.1125
dc.local.publishedsourcehttp://www.mhra.org.uk/Publications/Journals/mlr.htmlen_IE
dc.description.peer-reviewedpeer-reviewed
dc.contributor.funder|~|
dc.description.embargo2017-10-31
dc.internal.rssid10563023
dc.local.contactPatrick Lonergan, Drama & Theatre Studies, School Of Humanities, Nui Galway. 2631 Email: patrick.lonergan@nuigalway.ie
dc.local.copyrightcheckedNo
dc.local.versionACCEPTED
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