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dc.contributor.authorLonergan, Patrick
dc.date.accessioned2016-01-11T14:38:10Z
dc.date.available2016-01-11T14:38:10Z
dc.date.issued2006-09
dc.identifier.citationPatrick Lonergan (2006) ' Regionalisation and Globalization in Irish Drama since 1990 ' L Annuaire théâtral, (40) :12-15.en_IE
dc.identifier.issn1923-0893
dc.identifier.urihttp://hdl.handle.net/10379/5439
dc.descriptionJournal article - original English language file of article translated into French for publication.en_IE
dc.description.abstractThe impact of globalisation on Irish theatre since the early 1990s has been considerable. A study of four recent Irish plays, all produced by "regional" theatre companies, suggests that contemporary Irish theatre is dominated by two impulses, both of which arise from globalisation but which tend towards opposite outcomes : theatre companies are attempting to respond to globalisation by producing theatre with a regionalized perspective, works that may nonetheless travel freely across national and international bounders. This approach to "theatre-making" has led to a number of clashes between theatre companies and their local audiences: Patrick Lonergan describes these clashes, as well as certain attempts to resolve them.en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.publisherÉruditen_IE
dc.relation.ispartofL Annuaire théâtralen
dc.subjectIrelanden_IE
dc.subjectTheatreen_IE
dc.subject1990sen_IE
dc.titleRegionalisation and Globalization in Irish Drama since 1990en_IE
dc.typeArticleen_IE
dc.date.updated2016-01-10T12:07:05Z
dc.identifier.doi10.7202/041649ar
dc.local.publishedsourcehttp://dx.doi.org/10.7202/041649aren_IE
dc.description.peer-reviewedNot peer reviewed
dc.contributor.funder|~|
dc.internal.rssid8802611
dc.local.contactPatrick Lonergan, Drama & Theatre Studies, School Of Humanities, Nui Galway. 2631 Email: patrick.lonergan@nuigalway.ie
dc.local.copyrightcheckedNo
dc.local.versionACCEPTED
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