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dc.contributor.authorCrosson, Seán
dc.date.accessioned2015-11-10T12:40:07Z
dc.date.available2015-11-10T12:40:07Z
dc.date.issued1995
dc.identifier.citationSean Crosson (1995) ' Irish Short Films Essential Indigenous Productions '. Ropes: Review Of Postgraduate Studies, (4).en_IE
dc.identifier.issn07918054
dc.identifier.issn00003678
dc.identifier.urihttp://hdl.handle.net/10379/5329
dc.description.abstractSince the emergence of an Irish cinema of national questioning in the mid-1970s, short films have played an important role in Irish film culture. Not only did they offer Irish filmmakers an opportunity to learn their trade and establish themselves, but often the films themselves made original and provocative contributions to contemporary debates including those surrounding cultural identity. This articles examines some relevant examples, including Withdrawal (1974), Emtigon (1977), Wheels (1976), The Woman Who Married Clarke Gable (1985), Boom Babies (1986), He Shoots, He Scores (1995), The Pan Loaf (1995), and Horse (1993).en_IE
dc.formatapplication/pdfen_IE
dc.language.isoenen_IE
dc.publisherROPES: Review Of Postgraduate Studiesen_IE
dc.relation.ispartofRopes: Review Of Postgraduate Studiesen
dc.subjectIrish filmen_IE
dc.subjectFilmen_IE
dc.subjectIrish short filmsen_IE
dc.titleIrish short films: essential indigenous productionsen_IE
dc.typeArticleen_IE
dc.date.updated2015-11-10T12:32:51Z
dc.local.publishedsourcehttps://ropesgalway.wordpress.com/en_IE
dc.description.peer-reviewedpeer-reviewed
dc.internal.rssid1285133
dc.local.contactSeán Crosson, Huston Film School, Nui, Galway. 5687 Email: sean.crosson@nuigalway.ie
dc.local.copyrightcheckedYes
dc.local.versionPUBLISHED
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