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dc.contributor.authorCrosson, Seán
dc.date.accessioned2015-11-09T12:21:21Z
dc.date.available2015-11-09T12:21:21Z
dc.date.issued2014
dc.identifier.citationCrosson, Seán. (2014). ‘All this must come to an end. Through talking’: Dialogue and Troubles Cinema. In Ruben Moi, Brynhildur Boyce, & Charles Armstrong (Eds.), The Crossings of Art in Ireland, Oxford: Peter Lang.en
dc.identifier.isbn978-3-0343-0983-7
dc.identifier.urihttp://hdl.handle.net/10379/5321
dc.description.abstractThe Northern Ireland Troubles have featured in film since the late 1940s. While a variety of films have depicted combatants in most cases from the republican side a recurring trope in such representations has been the often irrationally violent paramilitary with whom dialogue or negotiation seems impossible. Popular film has also tended to employ conventional genres, in particular the melodrama and thriller, in depictions of the Troubles with often limited results. This paper considers some relevant films in this respect and argues that Hunger (2008) represented an important change in its foregrounding of dialogue and its focus on the ekphrastic potential of cinema.en
dc.language.isoen
dc.publisherPeter Lang
dc.relation.ispartofThe Crossings of Art in Irelanden
dc.subjectIrish cinema
dc.subjectNorthern Ireland
dc.subjectTroubles
dc.title‘All this must come to an end. Through talking’: Dialogue and Troubles Cinemaen
dc.typeBook chapter
dc.date.updated2015-11-09T11:38:33Z
dc.local.publishedsourcehttps://www.peterlang.com/view/title/35635
dc.description.peer-reviewedPeer reviewed
dc.internal.rssid6366412
dc.local.contactSeán Crosson, Huston Film School, Nui, Galway. 5687 Email: sean.crosson@nuigalway.ie
dc.local.copyrightcheckedYes
dc.local.versionACCEPTED
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