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dc.contributor.authorStoneman, Rod
dc.date.accessioned2014-02-17T16:41:50Z
dc.date.available2014-02-17T16:41:50Z
dc.date.issued2013
dc.identifier.citationRod Stoneman (2013) 'The Theory of Film Practice: Thirty Years Later ' In: Kacper Bartczak and Malgorzata Myk(Eds.). Theory that Matters. Newcastle upon Tyne : Cambridge Scholars Publishing.en_US
dc.identifier.isbn9781443842068
dc.identifier.urihttp://hdl.handle.net/10379/4190
dc.descriptionBook chapteren_US
dc.description.abstractJean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it was an intimate voyage that is permeable to the world s upheavals; it is from the tension between these two poles: autobiographical fiction and documentary report that poetry is generated. [1] A tenuous biographical trajectory is the starting point for this exposition which tries to understand the activity that is theory at the intersection of movements of ideas in the wider world and the narration of the personal. Pushing the boundaries of orthodox academic formats allows the inclusion of an autobiographical dimension which traces the accretion of age/history, not to mention History itself.[1] Booklet issued to accompany exhibition at the Centre Pompidou, Paris; Spring 2006.en_US
dc.formatapplication/MSWorden_US
dc.language.isoenen_US
dc.publisherCambridge Scholars Publishingen_US
dc.relation.ispartofTheory that Mattersen
dc.subjectFilm theory practiceen_US
dc.titleThe Theory of Film Practice: Thirty Years Lateren_US
dc.typeBook chapteren_US
dc.date.updated2014-02-12T16:14:06Z
dc.local.publishedsourcehttp://www.kriso.ee/theory-that-matters-what-practice-after-db-9781443842068.htmlen_US
dc.description.peer-reviewedPeer reviewed
dc.contributor.funder|~|
dc.internal.rssid5029148
dc.local.contactRod Stoneman, Huston School Of Film, & Digital Media, Block Q, Earls Island, Nui Galway. 2999 Email: rod.stoneman@nuigalway.ie
dc.local.copyrightcheckedNo
dc.local.versionACCEPTED
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