Show simple item record

dc.contributor.advisorO'Dwyer, Riana
dc.contributor.authorBuckley, Megan
dc.date.accessioned2013-08-01T12:04:15Z
dc.date.available2013-08-01T12:04:15Z
dc.date.issued2012-09-27
dc.identifier.urihttp://hdl.handle.net/10379/3598
dc.description.abstractThe first half of this dissertation demonstrates that individual voices rarely develop in isolation, and takes as its premise that behind every individual poetic voice lies a history of community or coterie dynamics which may be obscured by readers' close focus on an individual author's achievement. It presents a study of the coterie dynamics from which The Salmon magazine (1981-1991), and subsequently Salmon Publishing (1985-present), developed. Although single creative voices or individual textual contributions nearly always assume priority over group or collaborative efforts, the history of mutual influence that underlies such voices is crucial to their development, particularly if the writers do not fit the criteria for authorship established by a nation's literary 'elite.' Such writers in particular may benefit from collaborative efforts and involvement with literary networks: since authorship involves the appropriation of cultural space, they can assist emerging writers in assuming the necessary 'permission' to create cultural products, which must precede the condition of authorship. In order to demonstrate that the developments within Salmon's life-cycle, as analyzed in chapters one to three, resulted in the development of individual creative voices that would make significant, varied contributions to Irish literature, chapters four to six present critical studies of the work of individual poets. Rita Ann Higgins, Eva Bourke and Moya Cannon began their careers in association with the Galway Writers Workshop, and Salmon Publishing was responsible for bringing their first single-title poetry collections and in the cases of Bourke and Higgins, subsequent collections into print. The individual poetic achievements of Higgins, Bourke, and Cannon demonstrate that coterie dynamics inevitably influence a writer's individual poetic voice. The coterie dynamics that developed in association with The Salmon magazine and Salmon Publishing would help to grant these, and other, writers the necessary permission to appropriate cultural space, resulting in original, diverse, ongoing contributions to Irish literature.en_US
dc.subjectPoetryen_US
dc.subjectIrish poetryen_US
dc.subjectIrish women's poetryen_US
dc.subjectIrelanden_US
dc.subjectJessie Lendennieen_US
dc.subjectSalmon Publishingen_US
dc.subjectSalmon Poetryen_US
dc.subjectPoetry by Irish womenen_US
dc.subjectEva Bourkeen_US
dc.subjectMoya Cannonen_US
dc.subjectRita Ann Higginsen_US
dc.subjectMultiple authorshipen_US
dc.subjectCoterie theoryen_US
dc.subjectCoterie poeticsen_US
dc.subjectPublishing in Irelanden_US
dc.subjectPoetry publishing in Irelanden_US
dc.subject20th century Irish poetryen_US
dc.subjectDepartment of Englishen_US
dc.title"Midwives to Creativity": A Study of Salmon Publishing, 1981-2007en_US
dc.typeThesisen_US
dc.local.noteThis dissertation investigates the coterie dynamics from which the Galway-based The Salmon magazine and Salmon Publishing developed. It also presents critical studies of the work of individual poets whose work was published by Salmon, specifically Eva Bourke, Moya Cannon, and Rita Ann Higgins.en_US
dc.local.finalYesen_US
nui.item.downloads5406


Files in this item

Attribution-NonCommercial-NoDerivs 3.0 Ireland
This item is available under the Attribution-NonCommercial-NoDerivs 3.0 Ireland. No item may be reproduced for commercial purposes. Please refer to the publisher's URL where this is made available, or to notes contained in the item itself. Other terms may apply.

The following license files are associated with this item:

Thumbnail

This item appears in the following Collection(s)

Show simple item record