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    Crosson, Seán (22)
    Dine, Philip (2)Armstrong, Charles I. (1)Huber, Werner (1)Karhio, Anne (1)... View MoreSubjectCinema (8)Film studies (8)Film (6)Sport (6)Ireland (4)... View MoreDate Issued2018 (3)2017 (2)2016 (2)2015 (1)2014 (2)TypeBook chapter (11)Article (9)Conference Paper (1)Report (1)

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    Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964) 

    Crosson, Seán (Taylor & Francis, 2016-07-12)
    The sports coaching film has a long history, dating from at least 1932 with the production of Paulette McDonagh s How I Play Cricket which featured the legendary Don Bradman. However, coaching films dedicated to indigenous ...
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    Sport and Christianity in American cinema ‘The beloved grew fat and kicked’ (Deuteronomy 32:15) 

    Crosson, Seán (Taylor & Francis (Routledge), 2017-10-21)
    Christianity has been an enduring feature of films featuring sports or sporting figures since the early twentieth century, such that religious icons, references and rituals have now become naturalised as familiar and ...
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    ‘All this must come to an end. Through talking’: Dialogue and Troubles Cinema 

    Crosson, Seán (Peter Lang, 2014)
    The Northern Ireland Troubles have featured in film since the late 1940s. While a variety of films have depicted combatants in most cases from the republican side a recurring trope in such representations has been the ...
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    Contemporary Irish film: An introduction 

    Huber, Werner; Crosson, Seán (Braumüller, 2011)
    (Introduction to collection CONTEMPORARY IRISH FILM: NEW PERSPECTIVES ON A NATIONAL CINEMA) The title of this paper is deliberately ambiguous. It is not only meant as an introduction to this collection, but also as a very ...
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    Anticipating a postnationalist Ireland: representing Gaelic Games in Rocky Road to Dublin (1968) and Clash of the Ash (1987) 

    Crosson, Seán (Peter Lang, 2010)
    This article charts the movement towards what might be called, following from Richard Kearney’s 1995 book, a post-nationalist approach to representing gaelic games in film, particularly since the late 1960s through an ...
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    “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

    Crosson, Seán (2012)
    Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
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    Irish intolerance: exploring its roots in Irish cinema 

    Crosson, Seán (Braumüller, 2011)
    This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how ...
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    “If Irish cinema is going to be really great it has to stop worrying too much about being ‘Irish cinema’”: Q & A with Lenny Abrahamson and Mark O’Halloran 

    Crosson, Seán; Schreiber, Mark (Braumüller, 2011)
    Director Lenny Abrahamson and screenwriter and actor Mark O'Halloran have established a formidable partnership in recent years that has produced some of the most distinctive and celebrated work to emerge in Irish cinema. ...
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    Sport and the media in Ireland: an introduction 

    Crosson, Seán; Dine, Philip (Taylor and Francis, 2011)
    [Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through ...
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    'Croke Park goes Plumb Crazy' Gaelic Games in Pathé Newsreels, 1920–1939 

    Crosson, Seán; McAnallen, Dónal (Taylor and Francis, 2011)
    From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the ...
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