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Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964)
(Taylor & Francis, 2016-07-12)
The sports coaching film has a long history, dating from at least 1932 with the production of Paulette McDonagh s How I Play Cricket which featured the legendary Don Bradman. However, coaching films dedicated to indigenous ...
“For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918)
(2012)
Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
Irish short films: essential indigenous productions
(ROPES: Review Of Postgraduate Studies, 1995)
Since the emergence of an Irish cinema of national questioning in the mid-1970s, short films have played an important role in Irish film culture. Not only did they offer Irish filmmakers an opportunity to learn their trade ...
Sport and the media in Ireland: an introduction
(Taylor and Francis, 2011)
[Introduction to Media History Special Issue on Sport and the Media in Ireland]. The symbiotic relationship that has existed since the mid-nineteenth century between sport and the media - from the popular press, through ...
'Croke Park goes Plumb Crazy' Gaelic Games in Pathé Newsreels, 1920–1939
(Taylor and Francis, 2011)
From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the ...
"Ar son an Naisiuin": The National Film Institute of Ireland's All-Ireland Films
(Irish-American Cultural Institute, 2013)
On 4 September 1948 the Irish Independent newspaper carried a small announcement on page ten indicating that the Gaelic Athletic Association (GAA) had authorized the filming of the All-Ireland hurling and football finals ...
Horror, hurling, and Bertie: aspects of contemporary Irish horror cinema
(University of Waterloo, Department of Fine Arts (Film Studies), 2012)
In Ireland, generic international cinematic forms have provided an important means through which filmmakers have attempted to tell Irish stories while engaging international audiences. However, in general Irish filmmakers ...
Sport, representation, and the commemoration of the 1916 Rising: a new Ireland rises?
(European Federation of Associations and Centres of Irish Studies (EFACIS), the Research Institute of Irish and Scottish Studies (RIISS) in Aberdeen, and the University of Leuven, 2018-10-24)
Commemoration is part of what defines nations and their configurations; the considerable investment of the Irish state (and various sporting organisations) during 2016 in 1916 commemorations speaks to the importance of ...
Reimagining an Irish City: I am Belfast
(Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)
An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...
Vanishing Point: An Examination of Some Consequences of Globalization for Contemporary Irish Film
(2003)
In the following article, some films produced with the support of Bord Scannán na hÉireann (The Irish Film Board) since its reconstitution in 1993 are examined in light of the work of global anthropologist Arjun Appadurai ...