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    Author
    Crosson, Seán (14)
    Cronin, Nessa (1)Eastlake, John (1)SubjectPoetry (4)Film studies (3)Motion pictures -- Reviews (3)Cinema (2)Motion pictures -- Ireland (2)... View MoreDate Issued2009 (4)2008 (4)2007 (1)2006 (2)2005 (1)TypeArticle (6)Book chapter (5)Review (2)Book (1)

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    Gaelic Games and 'the Movies' 

    Crosson, Seán (Irish Academic Press, 2009)
    From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were ...
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    Nuala Ní Dhomhnaill: Reclaiming women's voice from song 

    Crosson, Seán (University of Sunderland Press, 2005)
    Nuala Ní Dhomhnaill is one of the most distinctive voices in contemporary Irish literature. Her work, drawing on Irish mythology, folklore and orature has also attracted considerable international acclaim and has been ...
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    The sea of orality: An introduction to orality and modern Irish culture 

    Cronin, Nessa; Crosson, Seán; Eastlake, John (Cambridge Scholars Publishing, 2009)
    [Introduction to the collection Anáil an Bhéil Bheo: Orality and Modern Irish Culture (Cambridge Scholars Publishing, 2009)] While the connections between oral and textual traditions in Ireland have been the focus of much ...
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    "The Given Note": traditional music and modern Irish poetry 

    Crosson, Seán (Cambridge Scholars Publishing, 2008)
    "The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. ...
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    Shillalah Swing Time ...You'll thrill each time a wild Irishman s skull shatters : Representing Hurling in American Cinema: 1930-1960 

    Crosson, Seán (Irish Academic Press, 2009)
    While significant research has been done over the past twenty years on the important role Gaelic games and their promotion played in the construction and development of Irish nationalism and Irish identity, particularly ...
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    The Quiet Man and Beyond: An Introduction 

    Crosson, Seán (Liffey Press, 2009)
    In 1996, The Quiet Man topped an Irish Times poll for the best Irish film of all time. Almost ten years later, with many more Irish (and Irish-themed) films made, The Quiet Man still occupied number four in a poll of 10,000 ...
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    Vanishing Point: An Examination of Some Consequences of Globalization for Contemporary Irish Film 

    Crosson, Seán (2003)
    In the following article, some films produced with the support of Bord Scannán na hÉireann (The Irish Film Board) since its reconstitution in 1993 are examined in light of the work of global anthropologist Arjun Appadurai ...
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    'They can't wipe us out, they can't lick us. We'll go on forever pa, because we're the people' - Misrepresenting death in Jim Sheridan's In America (2003) 

    Crosson, Seán (2008)
    This paper will examine the recurring theme of death in Jim Sheridan's work, with particular focus on his 2003 film In America. This theme also links Sheridan's work to one of his favourite directors, John Ford, whose ...
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    Review of "Pavee Lackeen" (2005) 

    Crosson, Seán (2006)
    Review of an innovative film, shot on mini-DV in a pseudo documentary style, featuring an Irish Traveller family.
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    From Kings to Cáca Mílis: Irish film and television as Gaeilge in 2007 

    Crosson, Seán (2007)
    A review of recent trends in Irish language television and film, including a consideration of the films Cré na Cille (Graveyard Clay) (2007), Kings (2007) and the TV series "Paddywhackery" (2007) and "The Running Mate" (2007).
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