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Measure for Measure by William Shakespeare, Rattlebag Theatre Company, Civic Theatre Tallaght and Henry IV – Part One by William Shakespeare, Peacock Theatre
(Irish Theatre Magazine, 2003)
Almost every European country that gained independence after the First World War had one thing in common: with only one exception, they all tried to stimulate the growth of a national literature by commissioning translations ...
Reviewing
(Routledge, 2015-02-12)
This article explores the practice of reviewing, using the methodologies associated with theatre criticism to consider how best to manage the academic practice of reviewing.
“Anything But Stand Still”: Billy Roche’s On Such as We
(Carysfort Press, 2013)
[No abstract available]
Re-imagining Ireland, occupying Iraq: Colin Teevan's How Many Miles to Basra
(Debrecen University Press, 2011)
[No abstract available]
Tilsonburg by Malachy McKenna, Focus Theatre/Irish Touring Company, Town Hall Theatre and Shiver by Declan Hughes, Rough Magic, Project Arts Centre, Dublin
(Irish Theatre Magazine, 2003)
Critics have been declaring Irish playwrighting to be in a state of crisis for most of the last 100 years but, even so, it’s hard not to feel glum about the present state of our writing for the stage. The latest plays from ...
J.M. Synge, authenticity, and the regional
(Edinburgh University Press, 2013)
[No abstract available]
All we say is 'Life is crazy': - Central and Eastern Europe and the Irish Stage
(Dublin: Carysfort Press, 2009)
[No abstract available]
Half-hearted: Irish Theatre, 2003
(Center for Irish Studies, University of St. Thomas, 2004)
Irish theater experienced an unusuaily quiet period in 2003. Although the year was free of the controversies that have overshadowed recent years, it was also too frequently free of excitement, creativity, and originality. ...
"I Do Repent and Yet I Do Despair": Beckettian and Faustian allusions in Conor McPherson's the Seafarer and Mark O'Rowe's Terminus
(Routledge, 2012)
In a press interview in April 2007, Conor McPherson correctly anticipated the
imminent conclusion of the ‘Celtic Tiger’ period – the decade-long economic
boom that had transformed Ireland into one of the world’s richest ...
Stained Glass at Samhain: Town Hall, Galway
(The Irish Times, 2002-11-02)
[No abstract available]