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Míorúilt an chleite chaoin : rogha dánta - Liam S Gógan
(Coiscéim, 2012)
Critical edition of the selected poems of Liam S Gógan
From Milan to Kilbaha: Bronzing Irish traditional music
(Irish American Cultural Institute, 2019)
Monuments represent important anchoring devices, tying “collective remembering” to physical places and mobilizing a sense of
shared memory and identity consolidation (Rowlands and Tilley
500).1
In the specifically Irish ...
Irish language modernisms
(Cambridge University Press, 2013)
[No abstract available]
Cnámh na seisce: crapadh na fearúlachta i ndánta Mháirtín Uí Dhireáin
(An Sagart, 2014)
[No abstract available]
Place-making: Mapping territories, landscapes, lives
(Baksun Books and Arts for Social and EnvironmentaL Justice, 2015)
[No abstract available]
The crustiest and most personally unbiddable of instruments : Éamonn Ceannt and the pipes
(Na Píobairí Uilleann, 2016-04)
É is perhaps one of the least AMONN CEANNT well-known leaders of the 1916 Rising. De- 1 scribed variously as a reserved, quiet, somewhat
taciturn and private figure, he has been easily eclipsed by
ies amongst the other ...
Locating the centre: Irish traditional music and re-traditionalisation at the Willie Clancy Summer School
(Irish Academic Press, 2013-05-01)
The Willie Clancy Summer School is the foremost school for Irish traditional
music transmission and practice in the annual Irish traditional music calendar.
!e particular success of the Willie Clancy Week (as it is more ...
Musical statues: Monumentalising Irish traditional music
(Wissenschaftlicher Verlag Trier, 2015)
The year 2016 has generated a considerable degree of both academic and popular
interest into processes of remembering and public forms of commemoration which in
turn provoke questions about the meaning and interpretation ...
Central places in a rural archaeological landscape
(Eagle Hill Institute, 2018)
Archaeological survey in western Ireland has identified the existence of clusters of activity within the mapped
landscapes of the 5th to 12th centuries A.D. Exploring this further, it is possible to identify elements ...
Fostering an Irish identity through art: A letter from Sylvester O'Halloran (1728-1807) to James Barry (1741-1806) in May 1791
(Cork Historical & Archaeological Society, 2010)
In 1843 an article from the secretary of the Cork Art-Union, which had appeared originally in the Southern Reporter, was sent to and published on page 12 of The Nation on the 2 December 1843. Included with this article was ...