Irish Studies
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The man and his music: Gender representation, cultural capital and the Irish traditional music canon
(International Council for Traditional Music Ireland (ICTM Ireland), 2021-03-27)Through a re-examination of canonical Irish traditional music texts and the music-making spaces and practices these inform, this paper proposes that Irish traditional music, as social practice, has normalised hegemonic ... -
"Ní cathair mar a tuairisg í": (Mis)Representing the American city in the literature of the Gaelic Revival?
(Irish American Cultural Institute, 2018)[No abstract available] -
'Sick on the Irish Sea, Dancing Across the Atlantic': (Anti)Nostalgia in women's diasporic remembrance of the Irish revolution
(Indiana University Press, 2021-03-01)The substantial displacement of people following the Irish revolution (1916–1923), particularly of women, has little place in the state-sanctioned commemorative history of the period. This migration poses a number of ... -
‘Sinn Féin permits … in the heels of their shoes’: Cumann na mBan emigrants and transatlantic revolutionary exchange
(Cambridge University Press, 2020-08-11)The emigration of female revolutionary activists has largely eluded historical studies; their global movements transcend dominant national and regional conceptions of the Irish Revolution and challenge established narratives ... -
The women who had been straining every nerve: Gender-specific medical management of trauma in the Irish Revolution (1916-1923)
(Peter Lang, 2020-01)Female revolutionaries suffered various traumas – including sexual trauma – during Ireland’s revolutionary period (1916–1923). This chapter draws on files from the Military Service Pensions Collection, personal accounts ... -
Locating the centre: Irish traditional music and re-traditionalisation at the Willie Clancy Summer School
(Irish Academic Press, 2013-05-01)The Willie Clancy Summer School is the foremost school for Irish traditional music transmission and practice in the annual Irish traditional music calendar. !e particular success of the Willie Clancy Week (as it is more ... -
From Milan to Kilbaha: Bronzing Irish traditional music
(Irish American Cultural Institute, 2019)Monuments represent important anchoring devices, tying “collective remembering” to physical places and mobilizing a sense of shared memory and identity consolidation (Rowlands and Tilley 500).1 In the specifically Irish ... -
Musical statues: Monumentalising Irish traditional music
(Wissenschaftlicher Verlag Trier, 2015)The year 2016 has generated a considerable degree of both academic and popular interest into processes of remembering and public forms of commemoration which in turn provoke questions about the meaning and interpretation ... -
A journey of found and lost: The concept of East Galway regional style in Irish traditional music
(Department of Folklore and Ethnology, UCC, 2008)[No abstract available] -
The crustiest and most personally unbiddable of instruments : Éamonn Ceannt and the pipes
(Na Píobairí Uilleann, 2016-04)É is perhaps one of the least AMONN CEANNT well-known leaders of the 1916 Rising. De- 1 scribed variously as a reserved, quiet, somewhat taciturn and private figure, he has been easily eclipsed by ies amongst the other ... -
Central places in a rural archaeological landscape
(Eagle Hill Institute, 2018)Archaeological survey in western Ireland has identified the existence of clusters of activity within the mapped landscapes of the 5th to 12th centuries A.D. Exploring this further, it is possible to identify elements ... -
Place-making: Mapping territories, landscapes, lives
(Baksun Books and Arts for Social and EnvironmentaL Justice, 2015)[No abstract available] -
Míorúilt an chleite chaoin : rogha dánta - Liam S Gógan
(Coiscéim, 2012)Critical edition of the selected poems of Liam S Gógan -
Cnámh na seisce: crapadh na fearúlachta i ndánta Mháirtín Uí Dhireáin
(An Sagart, 2014)[No abstract available] -
Fostering an Irish identity through art: A letter from Sylvester O'Halloran (1728-1807) to James Barry (1741-1806) in May 1791
(Cork Historical & Archaeological Society, 2010)In 1843 an article from the secretary of the Cork Art-Union, which had appeared originally in the Southern Reporter, was sent to and published on page 12 of The Nation on the 2 December 1843. Included with this article was ... -
Sylvester O'Halloran: Miso-Dolos
(Galway Archaelogical and Historical Society, 2007)