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Men, women, and not quite non-persons: derivatization in Roxana
(Société d’études anglo-américaines des XVIIe et XVIIIe siècles, 2018)
This article argues that Roxana exemplifies a peculiarly modern mode of “derivatization”: a form of “ontological reductionism” articulated by Ann J. Cahill in which individuals are diminished to “the reflection, projection, ...
Richardson's 'Sir Charles Grandison' and the symptoms of subjectivity
(The Eighteenth Century, 2010-12-01)
Proceeding from the academic orthodoxy that the eighteenth-century novel is a key site of the creation of modern subjectivity, this essay examines the representations of authority, morality, and community in Richardson's ...
Introduction
(Glyphi, 2012)
The Gothic in David Lynch: phantasmagoria and abjection
(2010)
David Lynch has long been identified with 'New American Gothic', a late capitalist cinematography that disrupts the glossy normalcy of the American dream with visions of violent menace, and physical and sexual aberrancy. ...