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Now showing items 31-40 of 112
Lampooning Academia in the Campus Novel
(The Irish Times, 2006-04-15)
Why read the classics?
(The Irish Times, 1999-07-17)
Vanishing Point: An Examination of Some Consequences of Globalization for Contemporary Irish Film
(2003)
In the following article, some films produced with the support of Bord Scannán na hÉireann (The Irish Film Board) since its reconstitution in 1993 are examined in light of the work of global anthropologist Arjun Appadurai ...
A Novel to Excerise the Head
(The Irish Times, 2009-07-11)
Speaking Out: The Tricyle Theatre's Bloody Sunday: Scenes from the Saville Inquiry
(Irish Theatre Magazine, 2005)
[No abstract available]
“Old Fools are Babes Again”: Shakespeare at the Abbey Theatre: programme note for King Lear directed by Selina Cartmell at the Abbey Theatre
(Abbey Theatre, 2013)
[No abstract available]
John Locke, Edward Stillingfleet, and the Quarrel over Consensus
(Edinburgh University Press, 2017-02)
Philosophical antagonism and dispute by no means confined to the early modern period nonetheless enjoyed a moment of particular ferment as new methods and orientations on questions of epistemology and ethics developed ...
The Field by John B. Keane, Olympia Theatre
(Irish Theatre Magazine, 2011)
Irish attitudes towards John B. Keane have changed a lot during the last ten years – due largely to Garry Hynes’
production of four of his plays during that period. Keane has always been popular, but he was also seen by ...
Queer notions: new plays and performances from Ireland by Fintan Walsh
(Irish Theatre Magazine, 2011-01-30)
Fintan Walsh’s new anthology begins with a line that seems in danger of subverting the rest of the book. “There is strength
in numbers, so they say,” writes Frank McGuinness in his foreword – before adding “I’ve never ...
For the pleasure of seeing her again by Michel Tremblay, translated by Linda Gaboriau, Peacock Theatre
(Irish Theatre Magazine, 2002)
As Michel Tremblay’s play begins, we are told that we are not about to see a Three Sisters or a Hamlet. Instead, we are asked to witness the writer’s remembrance of Nana, his mother, whom he is summoning to the stage "for ...