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Beaumont and Fletcher's Rhodes: early modern geopolitics and mythological topography in The Maid's Tragedy
(Humanities Research Centre, Sheffield Hallam University., 2012)
Discussions of Francis Beaumont and John Fletcher's Maid's Tragedy have infrequently engaged with the matter of its setting. Nonetheless, as we are frequently reminded within the play, its tragic events are purportedly ...
Measure for Measure by William Shakespeare, Rattlebag Theatre Company, Civic Theatre Tallaght and Henry IV – Part One by William Shakespeare, Peacock Theatre
(Irish Theatre Magazine, 2003)
Almost every European country that gained independence after the First World War had one thing in common: with only one exception, they all tried to stimulate the growth of a national literature by commissioning translations ...
Reviewing
(Routledge, 2015-02-12)
This article explores the practice of reviewing, using the methodologies associated with theatre criticism to consider how best to manage the academic practice of reviewing.
Francis Hutcheson's aesthetics and his critics in Ireland: Charles-Louis de Villette and Edmund Burke
(Research Institute of Irish and Scottish Studies, University of Aberdeen, 2016)
In his own time as much as in ours, the response to Francis Hutcheson’s
philosophy has concentrated above all on his contribution to moral thought,
especially the articulation of a so-called ‘moral sense’.1 The moral ...
Irish short films: essential indigenous productions
(ROPES: Review Of Postgraduate Studies, 1995)
Since the emergence of an Irish cinema of national questioning in the mid-1970s, short films have played an important role in Irish film culture. Not only did they offer Irish filmmakers an opportunity to learn their trade ...
Transcription maximized; expense Minimized? Crowdsourcing and editing The Collected Works of Jeremy Bentham
(Oxford University Press, 2012-03-28)
This article discusses the crowdsourced manuscript transcription project Transcribe Bentham, and how it will impact upon long-established editorial practices at the Bentham Project, University College London, which is ...
Tilsonburg by Malachy McKenna, Focus Theatre/Irish Touring Company, Town Hall Theatre and Shiver by Declan Hughes, Rough Magic, Project Arts Centre, Dublin
(Irish Theatre Magazine, 2003)
Critics have been declaring Irish playwrighting to be in a state of crisis for most of the last 100 years but, even so, it’s hard not to feel glum about the present state of our writing for the stage. The latest plays from ...
Half-hearted: Irish Theatre, 2003
(Center for Irish Studies, University of St. Thomas, 2004)
Irish theater experienced an unusuaily quiet period in 2003. Although the year was free of the controversies that have overshadowed recent years, it was also too frequently free of excitement, creativity, and originality. ...
"I Do Repent and Yet I Do Despair": Beckettian and Faustian allusions in Conor McPherson's the Seafarer and Mark O'Rowe's Terminus
(Routledge, 2012)
In a press interview in April 2007, Conor McPherson correctly anticipated the
imminent conclusion of the ‘Celtic Tiger’ period – the decade-long economic
boom that had transformed Ireland into one of the world’s richest ...
The Blind Fiddler by Marie Jones, Lyric Theatre, Belfast
(Irish Theatre Magazine, 2003-06-12)
Perhaps unfairly, Marie Jones remains more noted for commercial rather than critical success. The Blind Fiddler – an exciting fusion of melodrama, traditional music, and great storytelling – looks likely to be as successful ...