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Beaumont and Fletcher's Rhodes: early modern geopolitics and mythological topography in The Maid's Tragedy
(Humanities Research Centre, Sheffield Hallam University., 2012)
Discussions of Francis Beaumont and John Fletcher's Maid's Tragedy have infrequently engaged with the matter of its setting. Nonetheless, as we are frequently reminded within the play, its tragic events are purportedly ...
Louise Hollandine and the Art of Arachnean Critique
(Amsterdam University Press, 2019-07-22)
Louise Hollandine was an artist and student of internationally renowned Dutch painter Gerard van Honthorst. Though relatively few works now survive that can be authoritatively
ascribed to her, Louise Hollandine s artistic ...
'And like the sea God was silent': Multivalent water imagery in Silence
(Bloomsbury, 2015-02-26)
[No abstract available]
Ireland and Biafra: hunger, history, politics and public opinion
(Cambria Press, 2012)
[No abstract available]
Reviewing
(Routledge, 2015-02-12)
This article explores the practice of reviewing, using the methodologies associated with theatre criticism to consider how best to manage the academic practice of reviewing.
Francis Hutcheson's aesthetics and his critics in Ireland: Charles-Louis de Villette and Edmund Burke
(Research Institute of Irish and Scottish Studies, University of Aberdeen, 2016)
In his own time as much as in ours, the response to Francis Hutcheson’s
philosophy has concentrated above all on his contribution to moral thought,
especially the articulation of a so-called ‘moral sense’.1 The moral ...
“Anything But Stand Still”: Billy Roche’s On Such as We
(Carysfort Press, 2013)
[No abstract available]
Re-imagining Ireland, occupying Iraq: Colin Teevan's How Many Miles to Basra
(Debrecen University Press, 2011)
[No abstract available]
Transcription maximized; expense Minimized? Crowdsourcing and editing The Collected Works of Jeremy Bentham
(Oxford University Press, 2012-03-28)
This article discusses the crowdsourced manuscript transcription project Transcribe Bentham, and how it will impact upon long-established editorial practices at the Bentham Project, University College London, which is ...
J.M. Synge, authenticity, and the regional
(Edinburgh University Press, 2013)
[No abstract available]